A song so unrestrainable that the singer can only prevent its escape for an agonizing eight seconds. “La-de-da apartments”—the kind described by writer Toni Cade Bambara—all across the country—were soon jumping to “Out Of This World,” which quickly rackets uphill.
The singer was / is “Jumpin’” Gino Washington. At the time, he was a bad-ass teenager from Detroit. Kids today would insist upon calling him a BAMF and we would not disagree. In fact, this BAMF is among us. We congratulate him heartily for his greatly stomping contribution.
When the song first appeared, Cash Box predicted that it would “take a quick trip to chartsville” and it did just that, spending five weeks on the Billboard charts and peaking at #44, in March 1964. The backing vocalists, The Rochelles, would later become Tony Orlando’s “Dawn.”
The bass player was not the Chuck Berry, but he was a guy named Chuck Berry. He was part of a white band, The Atlantics, that backed the three black singers. While groups like Rodney and the Blazers or Booker T and the MGs come to mind, that era was not known for integrated bands.
A short while later, Mr. Washington was drafted into the Army,
and sent to Vietnam. When he returned in 1967, his career had vanished. Meanwhile, a
UK-based singer, Geno Washington, had stolen all but one letter of his name. This
“Geno” was also an American serviceman (Air Force). But enough of that.
Before he served in Vietnam, Gino Washington opened for the
Rolling Stones. He worked with the Primettes, who would go on to become the
Supremes. He released other hits, such as “Gino Is A Coward.” And to this blogger’s
approval, he was backed at some point by the Royaltones.
Returning to “Out Of This World”—it may borrow its opening saxophone
riff from “Mr. Twist,” an obscure 1962 shaker
by Tommy and the Twisters. The lyrics are barely discernible. The lead vocals
are sludgy and the backing vocals may be too enthusiastic in their gluey star-brightness.
The guitar solo searches for itself in the cloakroom. It
rifles through a lot of the coats, trying, perhaps, to thieve some taxicab
fare. And yet, “Out Of This World” is almost perfect. “Does this 45 have a B-side?”
you might ask. Why yes it does. Behold:
“Come Monkey With Me” employs “monkey” as verb, with double
entendre. Not only should you do the monkey with me, but you should fool
around with me, too. It enters the long list of monkey songs, the best of
which may be Dave Bartholomew’s “The Monkey Speaks His Mind.”
But we love “Come Monkey With Me” because it could’ve been
the A-side. There’s very little energy lost between these two singles. According
to the song, if the gal would come monkey with [me], the singer promises to
love her…ten-der-ly. Yeah right.
A friend of mine once pointed out that she liked “Mr. Five
by Five” (Jimmy Rushing) because his jump
blues voice had that gruffness, full of character, and she was right. For
some, Gino Washington might not compare to fellow Detroit crooners Jackie
Wilson and Little Willie John, but he does possess that roughened shouting
stuff. It’s A-one.
The Detroit Metro Times ranked “Out Of This World” as
the 19th greatest Detroit song ever, noting that The Atlantics (garage), the
Rochelles (doo wop?), and Gino Washington (soul) brought “the myriad threads of
Detroit music to a boiling point.” Yes. We agree.
When you consider the Detroit acts that that rank higher than him—Marvin
Gaye, The Stooges, John Lee Hooker, The Supremes, MC5, etc.—it’s quite a distinction.
Look a little bit farther down the list for Nathaniel Mayer’s “Village of Love.”
We almost chose that song for this post.
Likely personnel
for “Out Of This World” b/w “Come Monkey With Me”
Gino Washington (lead vocals); The Rochelles: Telma Hopkins and Joyce Vincent (backing
vocals); The Atlantics: Jeff Williams (lead guitar), Jim Watkins (rhythm
guitar), Rick White (sax), Chuck Berry (bass), and Cliff Rosin (drums). Songwriting/arranging:
George “Gino” Washington. Released on Amon 90580 (1963) and Wand 147 (1964).
sources of
information
AllMusic Guide entry
for Gino Washington
Billboard charting details for
Gino Washington
Black Cat Rockabilly Europe entry for Gino
Washington
Cash Box February
1964
Detroit Metro Times ranking
of the best Detroit songs ever
Discogs entry for The
Atlantics
Discogs entry
for “Out Of This World” / “Come Monkey With Me”
Wikipedia entry for Geno
Washington
Wikipedia entry for Gino Washington
Wikipedia entry for Tony Orlando
and Dawn
7 comments:
Great music. I graduated from high school in 1963, just when a lot of old rock and roll was about to collide with Bob Dylan, the British invasion etc. A momentous time in our musical culture.
That's wonderful -- it reminds me of the music popular back in 1962 when I returned on home leave from overseas. Performers such as Chubby Checker; dances such as the Twist and the Bristol Stomp. Ahh, memories from the era when the 45 absolutely ruled!
Please direct any comments to tedzook@hotmail.com.
TPW, Good Sir,
Thanks for visiting the post and for writing. There is something to be said for the period of time before the rise of Elvis and the British Invasion. There is some GREAT music in there. And the momentum generated by folks like Gino Washington surely fueled guys like Dylan and bands like the Stones. Hope all's well with you.
B.A.
Hey Ted,
Thanks for writing and checking out the post. I'll drop you an email. But I'm in agreement about the era. Some great "good time" music.
Cheers,
B.A.
great post, dan. those songs are cookers! how're you doing, rock star?
babsy
well, for one thing, i'd get myself a rockstar name like babsy! i'm doing all right. or are you just monkeying with me?
in all seriousness, i hope all is well with you. you continue to be the first and the only babsy in this blog's history. we're honored that you honor us.
b.a.
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