Behold “Park Avenue” (above) and “Stampede” (below), two instrumental shakers recorded in 1959 by The Scarlets, a group that would release only one 45 before morphing into another group, or disbanding, or running riot. To be fair, it’s always possible they power-walked or jogged riot. “Park Avenue” is the B-side, but we present it first because we prefer it just a smidgen better than “Stampede.” We admit that “Park Avenue” is brighter; “Stampede” is more malevolent. Still, we prefer the B-side, slightly. And in case you haven’t noticed, we specialize in bands like The Scarlets, who poked their heads out for just one recording session in 1959 — during that fertile Shakers Era between the appearance of Elvis and the British Invasion of the Beatles et. al.
After listening to “Stampede” we feel like walking the hot summer streets at sundown just looking to heist — or hoist — an armored car. It doesn’t matter, heist or hoist, we’re just fairly jacked up. With “Park Avenue” on the other hand, we want to walk the hot summer streets at sundown and find us some new sweetie pies. We want to tell them all sorts of tales about ourselves — “we just heisted an armored car” — “we just hoisted an armored car” — before whirling them about a dance floor to the strains of that phat saxophone. O, we have torrid affairs with our new sweetie pies, and O, our new sweetie pies have torrid affairs with us. (For couple of minutes, anyhow. . . . . It’s all very innocent fwiw.)
As for you, Dear Readers, skip the heisting and hoisting and go right for the new sweetie pies. We suppose you can keep your old sweetie pies if you must. The key thing is to medicate yourselves (in moderation) and prepare to jump (knee high?) when that phat sax arrives.
Discography and
Personnel:
“Stampede” b/w “Park Avenue.” Dot Records 16004, Hollywood, Calif.
(1959). Also released on Prince Records PR 1207, Hollywood, Calif. (1959). Likely
personnel: Tony Lepard (drums); John Sanzone (guitar); Pete Antonio aka Pete
Antell (lead guitar); Bert Salmirs (piano); Howard Herman (saxophone); unknown
additional musicians may include a second saxophone and upright bass. Composition
credits: Wally Zober, Bert Salmirs, and Pete Antonio (“Stampede”); Wally Zober
and Bert Salmirs (“Park Avenue”).
Earlier on, the band may have been known as Tony Leopard and
the Spots before changing to other names such as the Escorts and the Scarlets.
Antell, Salmirs, and Herman went on to have lengthy careers in music. Sanzone
seems to have been a Vietnam Veteran who served in the U.S. Navy. Not much is
known about Lepard and any of the other musicians who may have played on these
tracks.
Sources of
information:
Discogs page for The
Scarlets
Howard Herman website
Pete Antell website
AllMusic page for
Bert Salmirs’ composing credits
Blogpost with some biographical information
on John Sanzone
John Clemente. Girl Groups: Fabulous Females Who Rocked
the World. Author House, 2013
September 28, 1959 issue
of The Billboard
4 comments:
where do you come up with this stuffff? that sax is soooo juicy. loved it. babsy.
hi babsy. thanks for the kind words. juicy is a good word the sax and for many other facets of modern life. many of these songs come to light through old vinyl discoveries or similar. glad you enjoyed. oi. ba
Wow -- that takes me w-a-a-y back sonically, and the write-up was (as usual) was most illuminating. Thanks for broadening my horizons!
Hi Ted, Thanks for taking a listen and having a read. I'm glad you enjoyed the post and I hope that (as conditions permit) we shall make ruckuses again soon. --BA
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